Albert Camus’ 1948 play, powerfully, surreally staged by Emmanuel Demarcy-Mota, director of the Paris Théȃtre de la Ville, seems so prescient, so of the moment, that you could swear it was written yesterday. Orwell’s “1984” was published a year later. But both warn against totalitarian governments that frighten and coopt ordinary citizens until a few brave souls fight back. They will be bloodied. Both are called allegories. I consider them warnings.
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